Race & Personal Narrative The book has a long history as a rich vessel for stories of the human condition. Amontaine Aurore and Kimisha...

When I saw Edgar Arceneaux’s installation at the Henry Gallery on the UW campus, the image of Abraham Lincoln’s log cabin came to mind...

Editor’s note: our art critic, Susan Platt is recovering from surgery and we are grateful to Esther Ervin for contributing this month....

Meghan Elizabeth Trainhor’s mixed media installations and artworks blend witchcraft and technology, blurring distinctions between magic...

The November opening of the current exhibit at the Northwest African America Museum was a vibrating affair replete with music, energy,...

Native leaders, artists, poets, musicians, storytellers, political activists (usually these identities overlap and intersect) ever more...

In these dark days, both literally, the depths of December, and in our political climate, the Alfredo Arreguín exhibition at the...

The distinguished curator/director Karni Jasol of The Mehrangarh Museum Trust elegantly explained for me the high points of “Peacock in...

As we approach the hundredth anniversary of Armistice Day for World War I on November 11, our very own Museum of History and Industry is...

Mickalene Thomas strategically presented her amazing work to an almost all white press gathering (one Asian came from Microsoft). MUSE:...

(And a few notes on other events) On the 150th birthday of perhaps our most famous local photographer, Edward Curtis, you will not be...

In promoting “Figuring History: Robert Colescott, Kerry James Marshall, Mickelene Thomas,” the Seattle Art Museum asks these big...